Lifestyle

Weaving culture, nature into art

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Born and raised in this vibrant San community, Morris’ life is rooted in tradition and creative expression. Through her work, she not only preserves the stories of her people but also shares their connection to the natural world with a broader audience.

Morris began her education at D’kar Primary School before continuing to Itekeng Junior Secondary School in Gantsi. Even as a young girl, her artistic talents were evident.

She would often draw pictures for her grandmother, who used them for fabric painting. These early experiences ignited Morris’ creative spirit and gave her an initial glimpse into the possibilities of combining art with functional design.

Her introduction to embroidery came during her school years, where she learnt the basics of the craft. However, her passion truly took root at home, under the mentorship of her cousin, Selinah.



Selinah, who was skilled in embroidery, introduced Morris to more advanced techniques and inspired her to explore the intricacies of the art form.

“Selinah taught me everything I needed to know about embroidery,” Morris says. “She showed me how to turn simple ideas into something meaningful and beautiful.”

As Morris’ skills developed, so did her desire to share her work on a larger platform. She eventually joined the Kuru Art Project, an initiative dedicated to promoting the artistic traditions of the San people.

Based in D’kar, the project is well-known for its role in preserving and showcasing the creativity of local artists.

For Morris, joining Kuru marked a significant milestone in her journey as an artist. It gave her the opportunity to refine her craft, collaborate with other artisans, and reach a wider audience.

Morris’ embroidery is a reflection of her environment and heritage. Her designs often feature depictions of wildlife and nature, capturing the beauty and diversity of Botswana’s landscapes. Elephants, birds, and intricate floral patterns are common themes in her work, each stitch telling a story of life in the Kalahari.

“Nature inspires me,” she explains. “It is where I come from, and it’s what I want to share with others. Through my embroidery, I can show the world what makes our home special.”



“Working with the Kuru Art Project has allowed me to grow both personally and professionally. The project not only provides a space for artists to create but also helps them market their work to collectors and art enthusiasts around the world,” she said.

She further added that being part of this community is about more than just creating, it is about preserving the cultural identity of her people.

Through her embroidery, Morris has become a storyteller, weaving together elements of culture, tradition, and the natural world. Her pieces serve as a bridge between the past and the present, ensuring that the rich heritage of the San people continues to thrive in modern times.

Looking to the future, Morris hopes to inspire younger generations to explore their creativity and take pride in their heritage.

“Art is a way to keep our stories alive,” she says. “It is important for the youth to know where they come from and to share that with others.”

Morris’ journey from a curious young artist drawing for her grandmother to a skilled embroiderer at the Kuru Art Project is a testament to the power of passion and perseverance.

With every stitch, she brings to life the beauty of Botswana and the enduring spirit of her community.