Featuring Chambers Musiq, the track delves into critical societal issues deeply embedded in Setswana culture, addressing the disturbing reality of incest and gender-based violence. Kgang tsa ga malome is the second single release under 'Cultural Music Genre” in 2024. The first single release in 2024 was called Tlhogo Ya Podi. In an exclusive interview, Maxy Khoisan shared the inspiration behind her thought-provoking song. The phrase ‘setlogolo ntsha ditlhogo,’ which is central to the song’s message, has traditionally been associated with the grim practice of an uncle demanding sexual favors from his niece as a form of repayment for raising her. Maxy Khoisan’s powerful lyrics, such as ‘Kgang tsa ga malome di tsosa bana ba phefo,’ translate to “the uncle’s words are so disturbing they give one goosebumps,” vividly captures the emotional turmoil caused by such abuse.
Through her music, Maxy Khoisan aims to shed light on these often-hidden issues and provoke a much-needed dialogue. She asserts that such abhorrent behaviors still exist within families today, and her goal is to use her platform to caution uncles and other relatives against such predatory actions. The song serves as a bold denunciation of incest and a broader condemnation of any family member who engages in sexually abusive behavior. The single also tackles the pervasive problem of gender-based violence, extending its reach to fathers, brothers, sisters, and anyone who abuses vulnerable individuals. Maxy Khoisan emphasizes the crucial role of music as a medium for awareness and education. She believes that through compelling storytelling and emotional resonance, songs like “Kgang tsa ga malome” can make listeners aware of the signs and consequences of sexual violence.
“Music is a powerful tool,” Maxy Khoisan states, “and as artists, we have the responsibility to influence positive change.” She highlights how songs with potent messages can challenge harmful cultural norms and stereotypes that perpetuate violence. By addressing these issues head-on, artists can contribute to shifting societal attitudes and beliefs, fostering a more supportive environment for victims. Furthermore, Maxy Khoisan notes the importance of representation in music. Songs that confront sexual violence can provide solace and validation for victims, making them feel seen and understood. This sense of recognition can empower them to speak out about their experiences and seek the help they need. “Kgang tsa ga malome” thus serves not only as a cautionary tale but also as a source of strength and solidarity for those affected by such violence. “The song also calls on listeners to take action. Whether through advocating for policy changes, supporting local organizations dedicated to combating gender-based violence, or intervening when they witness abuse, I believe that every individual has a role to play. Music, in this context, becomes a rallying cry for collective responsibility and community support.” She said.
Maxy Khoisan, affectionately known as Mma Gauta, understands the transformative power of music. With “Kgang tsa ga malome,” she not only entertains but also educates and empowers, leveraging her artistry to make a tangible difference in society. Her collaboration with Chambers Musiq brings additional depth to the song, blending their unique styles to create a compelling narrative that resonates with a wide audience. 'Kgang tsa ga malome' is more than just a song; it is a social commentary that challenges deep-seated cultural practices and advocates for a safer, more respectful society. Through her music, I continue to push boundaries, using my voice to amplify the stories that need to be told and the changes that need to happen. As the song gains traction, it stands as a testament to the enduring power of music to effect social change and uplift the voices of the marginalised.” She added.
