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Punah Gabasiane's 25 years of Jazz legacy celebrated

The concert highlighted 25 years of Punah Gabasiane's pioneering work in Botswana’s Jazz scene PIC.KENNEDY RAMOKONE
The concert highlighted 25 years of Punah Gabasiane's pioneering work in Botswana’s Jazz scene PIC.KENNEDY RAMOKONE

Punah Gabasiane’s Silver Jubilee Concert held at The Joy City Park highlighted 25 years of her pioneering work in Botswana’s Jazz scene.

The celebration brought together artists who have played significant roles in her career including Banjo Mosele, Socca Moruakgomo, Kearoma Rantao, Nunu Ramogotsi-Neil, Shanti Lo, Nono Siile, Thabang Garogwe, and her sister, Bianca Gabasiane. The retro vintage theme paid homage to the blend of traditional Jazz and contemporary sounds that have defined Gabasiane’s music over the years. Throughout the concert, Gabasiane’s iconic songs such as Iyoo nna, Ga ke ete, Toro, Pelo robala, and Sello sa Malema resonated deeply with the audience, reflecting the emotional and cultural layers of her music. As the first woman in Botswana to make a mark in the Jazz genre, Gabasiane’s journey has been one of resilience and groundbreaking achievements in a male-dominated industry. Her performance reminded the audience of her perseverance and commitment to staying true to her craft despite facing numerous challenges. A standout feature of the event was Gabasiane’s commitment to mentoring and uplifting the next generation of Jazz musicians.

She reaffirmed her intention to help emerging artists navigate the music industry, providing them with the guidance and support she did not always have in her early years. This focus on mentorship was evident through her interactions with fellow performers, especially the Women of Jazz Botswana collective, including Sopinda Senyonfere and Bianca Gabasiane. These women, much like Gabasiane, have worked tirelessly to challenge the status quo in Jazz, offering fresh, dynamic contributions to the genre. Gabasiane’s legacy was further underscored by the remarks from legendary musicians and public figures like Makhwengwe Mengwe, who acknowledged her lasting impact on Botswana’s music industry. He highlighted the lack of recognition many artists face and applauded Gabasiane’s resilience and her role as a beacon for younger generations of female musicians. Reverend Dumie Mmualefe echoed this sentiment, emphasising the importance of Gabasiane’s work in addressing societal issues through her music, from women’s empowerment to the everyday struggles of life in Botswana. Gaborone Mayor Austin Abraham also attended, acknowledging the significance of Gabasiane’s contributions to local music while calling for increased governmental support for artists. The concert was not just a celebration of Gabasiane’s accomplishments, but also a reflection of the evolution of Botswana’s Jazz scene over the past 25 years. Gabasiane’s ability to fuse traditional and modern elements of music has positioned her as a key figure in the cultural landscape of Botswana.

As she performed alongside artists like Banjo Mosele and Thabang Garogwe, the concert felt like a passing of the torch, with Gabasiane’s legacy continuing to inspire and shape the future of the genre. In addition to live performances, the event hinted at future projects and collaborations. Gabasiane revealed plans for new music and upcoming releases that would continue to push the boundaries of Botswana Jazz. This forward-looking approach signals that even as she celebrates her 25-year milestone, Gabasiane remains focused on the future of her career and the broader music industry. She is committed to ensuring that Botswana’s Jazz not only thrives locally but resonates internationally, carrying the essence of Botswana’s culture and sound to global stages.

Editor's Comment
Kudos to Kario

A few weeks after the former ruling Botswana Democratic Party (BDP) was reduced to a pale shadow of itself in the just passed General Election on October 30, it was only logical that you take a conscious decision of resigning from the party. This was before you could be pushed out of the position by irate party diehards who feel you did not do enough during your tenure as the head of the party secretariat.We know that it is at the party...

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