The combination of drawing and sculpture
Friday, September 09, 2016
![PIC: KENNEDY RAMOKONE](https://cdn4.premiumread.com/?url=https://www.mmegi.bw/uploads/imported_images/2016/september/09/php5tYueA.jpg&w=400&q=72&f=jpg)
PIC: KENNEDY RAMOKONE
The exhibited artworks provoke viewers and artists alike to re-examine their rigid meaning of both drawing and sculpture. While the two artists, Onalenna Motaung and Shepherd Ndudzo, are different in their own way, the languages of drawing and sculpture are interlinked.
Ndudzo’s work sings brilliance and most of his sculpture shown at the gallery in Thapong Visual Arts Centre is set apart by its elongated forms like the works entitled snail, winter and lady with coiffure. Ndudzo does not pay much detail into various elements but his work in the gallery like ‘Meerkat’ and ‘Genesis’ explicitly outlines his emphasis on shape and touch. His work is made from natural resources like wood. Ndudzo’s work like ‘journey home’ where he shows people in a combi demonstrates his ability to carve different patterns.
These roads, which are vital conduits for trade and tourism, have long been in dire need of repair. However, while this development is undoubtedly a positive step, it also raises questions about broader issues of infrastructural management and road safety that deserve closer scrutiny.The A3 and A33 roads are not just any roads, they are critical arteries that connect Botswana to its neighbours and facilitate the movement of goods and people...