Britain has recently revealed that it is currently negotiating with Zimbabwe over the repatriation of human remains, belonging to fighters from Zimbabwe’s struggle against British colonizers, currently displayed in the Natural History Museum of London. Recently, Zimbabwean president, Robert Mugabe, said in a speech that the Zimbabwean liberation war fighters, “whose heads were decapitated by the colonial occupying force, were then dispatched to England, to signify British victory over, and subjugation of, the local population.” President Mugabe also remarked that, “surely, keeping decapitated heads as war trophies, in this day and age, in a national history museum, must rank among the highest forms of racist moral decadence, sadism and human insensitivity.”
The tradition of collecting and displaying intriguing items began in Black Ancient Egypt. Most rising Western cultures from the Roman Empire onwards then displayed exotic animals and flora in their museums. After the European Dark Ages, the next step in the evolution of museums occurred as a result of the ingenuity of the Black African Moors who conquered and civilized parts of Europe. The study of the natural world was once again encouraged by the Black Moors establishing “curiosity cabinets” across Europe after a millennium of Western ignorance. Prior to the 19th century, museums tended to be small and private, open only to the aristocracy of a given nation. During the 19th century, the modern museum as we know it began to take shape. With plunder streaming in from all corners of the British Empire, the modern museum was born. The British Museum was created largely as a repository for artifacts looted from Africa between the 17th and 19th centuries. Such plunder includes many artifacts from Ancient Egypt which prove that the Ancient Egyptians, who established the first museum, were themselves dark-skinned Afroancestrals. Across the world, one of the consequences of British colonialism was the violent appropriation of cultural artifacts, sacred and precious objects; and one of the legacies is their ongoing display in British museums. For centuries, the museums of Great Britain have served to bolster national white pride and glorify British imperial culture, by displaying a wide array of artifacts looted and plundered during European slavery and colonialism. One example of the rather grim history of colonial racial terrorism is the long European history of human zoos, which featured Africans and conquered indigenous peoples, displayed in the same way as animals.
